分类： hanzhen

　 　 Special feature of 1905 film network　Because The Girl with the Dragon Tattoo first met Rooney Mara, and because many fans of Carol fell in love with her.

　 　 Obviously, Rooney Mara didn’t become famous overnight. She just played some bit part. She has never played a leading role in Urban Legend: Bloody Mary, starring her sister kate mara, or in Dream Boys, Law and Order and other works.

　 　 Even unlike kate mara, the debut sister of the child star, Rooney Mara was not interested in performing since he was a child, and even some were afraid of performing. But the charm of art gradually took root and sprouted in the girl’s heart, and her infinite performance potential was slowly stimulated.

　 　 In fact, Rooney Mara doesn’t have to go into acting. Because she can be said to be a veritable rich second generation.

　 　 Her name represents the two giants in American football, and her father represents the Mara family. Rooney Mara’s great grandfather was the founder of the American football team, the New York Giants. When talking about the New York Giants, netizens who like football should not be unfamiliar. It is one of the old NFL teams and has won many NFL championships.

　 　 On the other side is the Rooney family represented by Rooney Mara’s mother, which is also a big-name family in rugby. Her great-grandfather founded another football giant, Pittsburgh pittsburgh steelers.

　 　 To sum up, Rooney Mara’s name represents a strong alliance between the two football giants. This is the real rich second generation.

　 　 Rooney Mara, who thought she would inherit the family business and continue to be a princess, gradually evolved into a "white rabbit" because of The Girl with the Dragon Tattoo.

　 　 Director david fincher has an eye for pearls and decided to make Rooney Mara the heroine of this film. Because of this film, the White Rabbit won the Golden Globe Award and the Oscar nomination for best actress.

　 　 In order to play a good role in the play, she did not hesitate to get holes in her body and face, cut a punk hairstyle, bleach her eyebrows and adapt to life in Stockholm.

　 　 It is also because of her efforts that Lisbeth Salander has become the central blood of the film without controversy. Because of this film, we can see a different Rooney Mara.

　 　 She can be crazy and play a marginal figure, but she can show her inner soft and gentle side to the fullest. It is hard for the audience to imagine why this girl is so different, but she will slowly accept and understand her from the bottom of her heart.

　 　 We often say "Dedicate ourselves to art". Rooney Mara’s subversive modeling in The Girl with the Dragon Tattoo has released herself and made many female fans exclaim that they want to marry.

　 　 If "The Girl with the Dragon Tattoo" has released Rooney Mara’s great performance potential, then "Carol" has further broadened her career and given her unlimited possibilities for interpretation.

　 　 She succeeded in bringing to life a girl who met her beloved and was ignorant of spring. Even for a long time, many fans thought that she and Cate Blanchett were the most beautiful twins.

　 　 When Trish, played by Rooney Mara, saw Carol, played by Cate Blanchett, in the store, and her eyes stared closely, she knew that her life might be inextricably linked with this blonde lady.

　 　 She made up her mind to walk away with Carol, and she completely understood what love was. This time, Rooney Mara doesn’t need much change in appearance, just a look and a detailed description of an action in the movie. You can show everything to perfection.

　 　 She longs for love with Carol, but she also cares about her hands and feet, but when her lover really stands in front of her, she bravely expresses her true nature.

　 　 She is really a little white rabbit. In Carol, when she sees Blanchett, she will panic, and her heart will jump like kicking a white rabbit. But in front of your lover, you can also show your purest feelings naturally.

　 　 Whether it’s the other puffed-up but warm Sahlander in The Girl with the Dragon Tattoo, or a role created later. She can always substitute herself into the role well, so that fans can fall in love with the role and be more infatuated with this beautiful girl without losing her acting skills.

　 　 Yesterday, Una, starring Rooney Mara and Ben Mendelsohn, was finally announced to be released soon.

　 　 This time, the white rabbit is about to take on a new look, reinterpreting a story of lover’s reunion after fifteen years.

　 　 Una (Rooney Mara) shows up uninvited in Ray’s office (Ben Mendelsohn), which makes him have to re-examine their relationship: Ray has started his new life, and Una is still looking for answers. The story revolves around their love and affection.

　 　 At present, the freshness of this film in rotten tomatoes is 88%. Expect the rabbit to bring a different performance.

　 　 Although Rooney Mara has a super high value and has naturally become the darling of the fashion circle, she conquered the vast number of fans by her superb acting skills.

　 　 She is a girl without a tattoo, a shy little white rabbit and an angel of fans.

　　Producer Lu Xi

　　Director Evonne.

　　The ethereal Jinxia Cave House, the magnificent Huashan Wonderland, and the dazzling light of the mysterious birds … … On August 19th, "The List of New Gods: Yang Jian" was released, and the amazing visual effects won praise. Under the new overhead background, the movie’s setting of the fairyland subverted the public imagination. Yang Jian, Aquilaria Resinatum, Shen Gongbao, Four Heavenly Kings and many other cool gods appeared one after another. As an antique fantasy visual effect blockbuster, every extraordinary imagination in the movie seems to see Guo Man’s figure struggling to leap forward.

　　How does the second part of the New God List series break the facial makeup of Erlang God Yang Jian? How do the stories of Yang Jian and Aquilaria blend together? How is the "rare" Taiji diagram of three-dimensional rendering ink painting made in the film? Listen to what the creators of "New God List: Yang Jian" say.

　　Choose Yang Jian because he is a familiar stranger.

　　Lu Xi, the producer of "New God List: Yang Jian", introduced that the development and creation of the film started in early 2019, and the story was confirmed in the second half of 2019, and it began to enter the early art exploration and further story polishing. In 2020, the development of three-dimensional character LookDev was launched, and the construction of digital assets, the exploration of role performance, the design of lens language, and the early stage of dynamic capture testing were gradually promoted, and the development of synchronous music was also being promoted. Mid-production reached its peak in 2021, and simultaneous production was also started at the end of the year. In June 2022, the whole film was produced.

　　Regarding why Yang Jian’s story was chosen in the second part of the "New God List" series, Lu Xi said that although the public knew Yang Jian, they didn’t have such a detailed understanding of his story. "We have both a sense of acquaintance and freshness, so we chose Yang Jian as the protagonist."

　　Evonne, the director, also said that Yang Jian is widely recognized, but he rarely elaborates his film and television works, and Yang Jian is a supporting role or villain in many works, even a little facelift. Therefore, if the New God List series tells the story of Yang Jian, there will be more possibilities to explore. Evonne said: "The charm of the film lies in the fact that different people can have different interpretations, and the story itself is very rich in dimensions."

　　"The List of New Gods: Yang Jian" interprets the classic myth of "saving the mother by splitting the mountain" from a new perspective, and tells the story that after Yang Jian, who was down and out because of the damage of his eye, met his nephew Chen Xiang, who was eager to save the mother, his uncles and nephews went on a thrilling fantasy adventure together.

　　In "Lotus Lantern", the story of agarwood chopping a mountain to save her mother is a household name. To the surprise of director Evonne, when collecting materials, he found that Yang Jian also had a story of chopping a mountain to save her mother. "I didn’t know this story before I made this film. After discovering this point, I think he is also begging for his mother, so why stop his nephew from doing it to save his mother? It doesn’t make sense, so I hope I can tell it again from a new perspective and integrate the two stories of saving my mother by splitting the mountain. Aquilaria went to Lushan to save her mother because of her thoughts about her mother. Yang Jian also experienced the same thing. The emotional core of this film is to go through fire and water for her loved ones. "

　　In Evonne’s view, Yang Jian is an introverted person, and he doesn’t want his true feelings to be perceived by others. In fact, Yang Jian is an emotional person, and his heart is very soft. "In the film, Yang Jian’s expression of affection is restrained, but it can be seen that Yang Jian knows that Aquilaria has been separated from his mother since childhood. Because he has similar experiences, he understands Aquilaria very well, and at the same time feels embarrassed about the lack of companionship of relatives in the growth of Aquilaria, so he cares for Aquilaria all the way. He has been helping Aquilaria and accompanying Aquilaria as an aunt."

　　Standing 1.9 meters tall, the former God of War became a handsome boy.

　　Yang Jian is a handsome character in traditional mythology, and his fighting power is also top-notch, and he has distinctive features, such as three eyes and a roaring dog around him. Evonne said that this gave them plenty of creative space, but in "The List of New Gods: Yang Jian", the former god of war was damaged by the eye of a lotus lantern twelve years ago. Evonne said that Yang Jian’s eye in the sky is a visual feature that the audience is most familiar with. "Yang Jian with eyes in the sky is a very powerful fairy, so in fact, in the early stage of creation, we thought that if his most powerful feature was removed, what kind of state would this character enter?" Lu Xi also said: "We want to be a Yang Jian with a different image from the past. If you are blind, the state that Yuan Shen can’t summon is very different from his original image."

　　Therefore, different from the image of Yang Jian in previous film and television works, Yang Jian in "The List of New Gods: Yang Jian" has a high face value, but he has become a "down-and-out handsome guy" because of hurting his eyes.

　　Cui Yuemei, the director of character design for "The New God List: Yang Jian", designed about 180 characters for this film. "Compared with previous works, the workload in character design is about 10% more." Among them, Yang Jian’s version of character image design is the most. "One of the difficulties in Yang Jian’s design is that we have to design many different states, such as his daily state, the state after awakening, the state of reopening the third eye, and the state of war damage. Another difficulty is that Yang Jian needs to be physically fit from childhood to youth and then to adulthood. We need to let everyone know that this is Yang Jian Jr., and he is a person with adult Yang Jian, so there will be some difficulties. The design time of the role of Yang Jian is about half a year. Because it is the first protagonist, we spend more energy and time. We will do a lot of exploration: including the collection of reference materials and some attempts in drawing. "

　　Cui Yuemei said that they designed Yang Jian’s height to be 1.9 meters. "We designed Yang Jian to be tall and handsome, and the whole proportion is slender and tall."

　　Because Yang Jian is positioned as a lonely fairy, although he is in a state of wandering clouds and wild cranes, he used to be very beautiful, so the texture of his clothes is quite particular. "The texture of the white robe is expensive silk, and the skirt of his outer robe has not been buttoned up, because Yang Jian’s personality is easy-going and chic, so we don’t think he will wear this kind of personality particularly formally, so we made the clothes a little bit open to make him look more relaxed and lazy as a whole."

　　Designers also designed some moire patterns on Yang Jian’s clothes, because: "Yang Jian came from Jinxiadong, which is a fairyland, with a lot of clouds and fog. Our moire patterns have some echoes with his origin, and the moire patterns have an unruly feeling, which accords with Yang Jian’s personality. At the same time, moire patterns are also a typical pattern in Wei and Jin Dynasties. Yang Jian’s robe and headscarf used tie-dye elements, because this film mainly refers to the style of Wei, Jin, Southern and Northern Dynasties, which was a popular element at that time, and the tie-dye culture was more in line with Yang Jian’s laid-back personality. "

　　Yang Jian’s armor also refers to the armor of Wei, Jin, Southern and Northern Dynasties, but Cui Yuemei said that because Yang Jian was a mythical character after all, they took the armor of Wei, Jin, Southern and Northern Dynasties as the basis, plus some celestial elements they designed, and integrated them.

　　Yang Jian was a handsome boy when he was wearing armor. He was very sunny, young and warm-blooded. Later, because Yang Jian experienced a lot of things, his expression was relatively indifferent. "We added some stubble to his face and made the skin texture a little rough, which made people feel that he had experienced something and his mental outlook was different."

　　For Yang Jian’s Eye of the Sky, the design team has tried more than a dozen schemes. "For example, how big his eye is, how big his pupils are, and whether there are patterns and special effects. Later, after various attempts, we determined the current version, which is more in line with the setting of Yang Jian in the film."

　　The most difficult scene is Jinxiadong, and the most complicated scene is Penglai.

　　Compared with Yang Jian’s "magic face", the "face value" of the fairyland in the film is not too high, and the visual styles of Penglai, Fanghu and Yingzhou have their own characteristics, which brings the audience the shocking feeling of "where to find the fairy tales, between heaven and earth".

　　Penglai Fairyland is like a three-dimensional city, with all kinds of spectacular buildings and spaceships shuttling through it, which is spectacular. The Qionglou Yuyu on Fanghu Xiandao is brightly lit, just like a bustling city that never sleeps. Yingzhou Xiandao is inspired by Dunhuang Crescent Spring, and the towering pavilions in the desert oasis have great visual impact. In addition, the legendary Yuquan Mountain, where Yang Jian’s master is located, is also exposed for the first time. It takes Taihu Stone as the core element, and the peaks are left behind and independent of the clouds, and the artistic conception is ethereal. The artistic styles of the three fairy islands are based on the Qin and Han Dynasties, and combine the characteristics of some northern and southern dynasties. After many animation production steps, such as modeling and rendering, the ethereal fairyland was "born", the details were full, and the ancient fantasy came to my face.

　　Evonne said that one of the main reasons why this film particularly attracted him was the "fairy world". "What is the life of the immortals? The description of fairyland in classic animation works is basically a Chinese-style palace, where immortals are walking in clouds. We broke this thing from the beginning this time. For example, in this film, it was directly set that immortals could not fly in the sky after the last World War, and everyone could only sit ‘ Spacecraft ’ We also hope to expand everyone’s imagination about the fairy world in this way. "

　　Gui Ye, the artistic director, said, "The artistic design of the film has been prepared for about a year. Besides going to Dunhuang and Shaanxi History Museum, I also found a lot of materials. The artistic style refers to the Wei, Jin, Southern and Northern Dynasties, because there are few pictures, so I can only take materials from some cultural relics and literal materials, and then transform them into pictures and integrate them into the film. The overall artistic style of the film refers to the Wei, Jin, Southern and Northern Dynasties, whether it is role costumes or props (such as celadon lacquerware), and the architectural style refers to the styles of Wei, Jin, Southern and Northern Dynasties and Han Dynasty. "

　　Talking about the design inspiration of Penglai, Fanghu and Yingzhou, Mr. Gui said that because these three fairy islands are all in myths and legends, there are few related written materials. "So we played on the basis of the original text and drew inspiration from some ancient buildings in China to design. The most important thing is to serve the plot."

　　Master Gui revealed that the most difficult scene is Jinxiadong, and it is difficult to create an ethereal and quiet atmosphere in Jinxiadong. Penglai is the most tedious and time-consuming. "Jinxia Cave is more difficult, and it is the feeling of the traditional fairy mountain in China. It is surrounded by clouds, pines and cypresses, and there is a cloud-like waterfall. When creating, it uses three-dimensional technology to restore the two-dimensional cloud sense, mainly pursuing the fairy spirit and charm."

　　How to integrate scientific and technological elements into ancient scenery? Master Gui said that the part of the film that embodies science and technology is mainly mixed energy, which is equivalent to electricity and gas in reality. "When I looked up the information, I found that the technology in the Eastern Han Dynasty was very developed, such as bronze gears, so I combined the human and animal forces at that time with the story background design of the overhead gods in the film, and I got mixed energy."

　　Because the immortals can’t walk in the sky, there are all kinds of spaceships in the film, including Yang Jian’s boat, gourd fairy’s boat, four heavenly kings’ boat, government boats, freight boats and private boats of ordinary people. Master Gui revealed that Yang Jian’s boat mainly pursued speed, and was inspired by the military speedboat of the Han Dynasty. It was a very common and highly mobile assault clipper at that time. The small gourd fairy sold private medicine, and his boat was a scarab. In classical medical books, the scarab was blindly Chinese medicine.

　　The biggest challenge is that it takes at least one month for one shot of a character in the flying dance.

　　Three-dimensional rendered ink painting, as the most iconic visual effect in light-chasing works, has been shown differently in White Snake: The Origin and New Gods: Nezha Reborn’s White Snake 2: The Green Snake Robbery, and each work is constantly breaking through. This time, the Tai Chi map battle in New God List: Yang Jian, the ink texture is even more amazing to the audience.

　　Producer Lu Xi introduced that the design and concept stage of Taiji diagram is the most difficult. "Because it is recorded in ancient books, it is only said that it is a super powerful magic weapon. In the film, the setting of Taiji diagram is not a specific scene, but an illusory space, in which it will hook up the demons of all the people who enter and drive people into a dreamland space; The design team has been grinding back and forth for more than half a year, and there are many completely different schemes. In order to highlight the oriental texture in CG shots, we abandoned several concepts with stronger three-dimensional structure, but adopted ink painting and two-dimensional style presentation. From design to final production, it took more than one year of production time. "

　　It is a great challenge to present the ink effect by means of three-dimensional CG. Director Evonne revealed that team research and testing took nearly a year. "The difficulty lies in how to transition from the three-dimensional scene to the two-dimensional ink style of Taiji diagram. The plane paper and a three-dimensional bridge can’t be connected, so we made a big curl action on the three-dimensional bridge. In Taiji ink painting, there is another layer with the same texture as rice paper. Our approach is to add a layer of this kind of rice paper to the environmental layer, such as the ground stone, so that we can feel the texture of traditional ink painting from different angles. " Master Gui also said that the reason why the artistic style of Taiji diagram uses traditional ink painting sense is to pursue the sense of flow to qi.

　　In addition to the Tai Chi Fighter, the flying dance of Luo Shenfu in the film is also highly praised by the audience: Yue Xian Square in Yingzhou, above the pavilion in Sendai, petals are flying, fairies are dancing in veils and jade beads are shaking. The flying beauty of "If you are amazed, just like Youlong", combined with the beautiful emotional singing of singer Rachel, has a stunning effect. The audience spoke highly of the play: "The beauty of Dunhuang frescoes flew out of the wall", "Flying Dance, Luoshen Fu, Dunhuang frescoes and other scenes interpreted the beauty of China traditional culture to the extreme".

　　Evonne, the director, revealed that there was no such scene at first, but when collecting folk songs in Dunhuang, walking into the Mogao Grottoes was like entering another world. "I felt the imagination of ancient artists, so I was inspired. There were dances, music and musical instruments for the court banquet of ancient immortals. I decided to add this scene. Moreover, Wan Luo’s identity is set as a dancer. This poem "Luo Shen Fu" in the film is extracted from Cao Zhi’s "Luo Shen Fu", which expresses infinite sadness and disappointment, corresponding to Wan Luo’s thoughts about important people in the film. "

　　The scene of flying dance was completed in the air. Evonne said that the technical difficulty of this scene lies in the dance itself. "We need to present the dance in a weightless state. We found a professional dancer to perform the Dunhuang dance, and let the dance team choreograph on the ground first, and present it in a three-dimensional space with moving capture technology, adding 360-degree spatial changes and camera movements, and then adjusting the movements and trying again; The dance teacher refers to the three-dimensional animation to adjust the movements, and we also spend a lot of energy communicating with the animators about the position and arrangement of the dance, and repeatedly modifying the running-in; Dancers don’t have weightless streamers when they jump, so they need to add streamers when they make them. They should consider how to match the role and conform to the scientific physical state. There is a ring that needs to deal with the streamers and hair of the characters, which is the most challenging part of the whole film. It takes at least one month for a character in a shot, which is 20-30 times the workload of ordinary shots. "

　　The new dimension of the country, the audience and the market need to be slowly "cultivated"

　　Although New Gods: Nezha Reborn, the first part of the New God List series, is based on The Romance of the Gods, it gives a new interpretation and interpretation of Nezha’s spiritual core from a cooler and younger perspective. It has opened a brand-new dimension of imagination for Guo Man, and made bold innovations in characterization, world outlook establishment and visual style.

　　The same is true of the second film "The New God List: Yang Jian". Evonne believes that the biggest connection between the two films is that they are under the same world view system. In addition, both films have discussions on breaking fate. "But Li Yunxiang in New Gods: Nezha Reborn is hard and Yang Jian is more leisurely."

　　The New List of Gods: Yang Jian has built an unprecedented mythical world, and Evonne thinks that the charm of animation lies in maximizing the imaginary world. In his view, there is no contradiction between tradition and innovation. The blood of China’s traditional culture has already melted into the bones of every Chinese, while innovation means telling stories with the voice of young people, creating stories with the latest technology and interpreting stories with modern ideas. Telling the old story of China from a younger perspective, giving new life to the tradition.

　　On February 21st, 2021, when the film New Gods: Nezha Reborn was released, Zhao Ji, the director of the film, posted a long microblog, referring to an important colleague of the team of "The New God List: Yang Jian" who wrote a resignation email on the first day of his return from the Spring Festival holiday. "He is very important to Yang Jian. Before the Chinese New Year, he told me that he wanted to try another industry. I told him, let’s wait, Nezha sells well, and we can stick to it. Dreams can wait, but life can’t. Living with a dream may last for a year, two years and three years, but after all, I have no reason to persuade him to stay. "

　　The animation industry in China needs the persistence of animators, and Lu Yi also believes that the audience and market of animated films need to be "cultivated" slowly. "Animated films are a very special artistic expression, which will show the culture intensively, and at the same time, animated films also have a relatively fixed audience. On the one hand, the creators are constantly putting their own ideas and expressions; On the other hand, after the animated film is released, the audience’s feedback will also feed back the creation. I think the audience and the creators are jointly exploring a unique animation art expression form in Chinese. "

　　It is reported that the total amount of "New God List: Yang Jian" is 20% more than that of "White Snake 2: The Green Snake Robbed". The progress of Guoman in recent years is obvious to all. In Evonne’s view, the imagination of animated films is very large, and many things that are difficult to achieve in real movies can be created in an unconstrained way. He said that when he was growing up, he rarely saw domestic animated films in cinemas, so his ideal for entering this industry was "the direction of our efforts is to hope that the next generation can watch domestic animated films grow up".

　　Text/Reporter Zhang Jia for the picture/small table

　　Since January 1 this year, tariffs have started a new round of adjustment, and "zero tariff" has become a high-frequency word-

　　Implement zero tariffs on some anticancer drugs, medicines and raw materials for rare diseases; The provisional import tax rate of lithium chloride, cobalt carbonate and seed sweet corn was reduced to zero; China and Nicaragua immediately implement zero tariffs on products with about 60% of their respective tax items …

　　Experts said that in recent years, the overall tariff level in China has been continuously reduced, and more and more commodities have entered the "zero tariff era", which is not only conducive to enhancing the linkage effect of the two resources in the domestic and international markets, enhancing people’s livelihood and welfare, benefiting the development of enterprises, maintaining the stability and smoothness of the domestic industrial chain supply chain, but also conducive to promoting high-level opening up and allowing the world to share more opportunities for China’s development.

　　Imported goods—

　　The provisional tax rates for some anticancer drugs and resource commodities are adjusted to zero.

　　According to the latest tariff adjustment plan for 2024 (hereinafter referred to as the "plan"), from January 1st, China implemented a provisional import tariff rate lower than the MFN tariff rate for 1010 commodities.

　　After combing this plan, the reporter found that the provisional import tax rate of some drugs and raw materials was directly adjusted to zero, such as anticancer drugs for treating liver malignant tumors, raw materials for rare diseases for treating idiopathic pulmonary hypertension, and ipratropium bromide solution for drug inhalation which can be widely used in the treatment of childhood asthma diseases in clinic.

　　"The implementation of zero tariffs on some anticancer drugs, drugs and raw materials for rare diseases will help reduce the cost of drugs, reduce the burden of drugs for patients, especially cancer patients, and have more drug choices to further protect people’s lives and health." Zhang Jianping, deputy director of the Academic Committee of the International Trade and Economic Cooperation Research Institute of the Ministry of Commerce, said that in fact, in recent years, medicine has been the key area of tax reduction, and the import tariffs on many anticancer drugs, rare diseases and related raw materials have been reduced to zero.

　　On May 1, 2018, China adjusted the import tariffs on some drugs and cancelled the import tariffs on 28 drugs, including many kinds of imported anticancer drugs. Relevant measures quickly took effect. In October of that year, 17 kinds of anticancer drugs were included in the medical insurance reimbursement catalogue, with an average decrease of 56.7% compared with the previous average retail price.

　　Since then, China has successively cancelled a number of import tariffs on drugs and raw materials: in 2019, the provisional import tax rate of anticancer drug raw materials such as oxaliplatin, carboplatin, nedaplatin and cisplatin was adjusted to zero; In 2020, zero tariffs will be imposed on drugs for treating asthma and raw materials for producing new diabetes drugs, such as Engelgin, Liggliptin and Vigliptin; In 2021, the second batch of raw materials for anticancer drugs and rare diseases will be subject to zero tariffs; In 2022, zero tariff will be imposed on radium chloride injection, a new anticancer drug.

　　It’s not just drugs that are listed as "zero tariffs". This plan also explicitly reduces the import tariffs on lithium chloride, cobalt carbonate, low arsenic fluorite, sweet corn, coriander, burdock seeds and other commodities, and the provisional import tax rate has reached zero. According to experts’ analysis, lithium chloride, cobalt carbonate and other commodities are key raw materials for the new energy automobile industry, and fluorite is an important mineral resource. The obvious reduction of import tariffs on these products will help enterprises to allocate resources on a global scale, reduce production costs and enhance the resilience of the industrial chain supply chain.

　　"This tariff reduction mentioned coriander, which is often said by everyone, which is a major positive for our company’s imports." Xu Minghui, deputy general manager of Shandong Golden Seed Agricultural Development Co., Ltd. said that the company imports about 300 tons of coriander seeds every year, which used to cost about one kilogram of 15 yuan. After reducing tariffs, the import cost alone can save more than 600,000 yuan a year, which will help enterprises achieve better development.

　　Free trade partner-

　　The number of products with mutually cancelled tariffs has gradually increased.

　　This tariff adjustment involves not only the provisional import tax rate, but also the agreed tax rate. Zero tariff is also one of the highlights.

　　On January 2nd, Hubei ushered in the first "Zero Tariff" certificate of China-Nicaragua Free Trade Agreement. On the same day, Wuchang Customs, which belongs to Wuhan Customs, issued a certificate of origin of China-Nicaragua FTA for Chibi Yayuan Trading Co., Ltd., and the textile fabric certificate exported by this enterprise to Nicaragua can enjoy a tariff reduction of about 18,000 yuan from the importing country.

　　Yu Yawen, head of Yayuan Company, said: "We are mainly engaged in textile fabric trade, and Nicaragua is one of the export destinations of the company. After learning that the tariff rate of textile fabrics exported to Nicaragua in 2024 can be reduced from the original 10% to zero, we handled the certificate of origin under the guidance of the customs and enjoyed this tariff dividend for the first time. "

　　On January 1st this year, the China-Nicaragua Free Trade Agreement came into effect. According to the agreement, the two sides will achieve high-level mutual opening in the fields of trade in goods, trade in services and investment market access. In terms of trade in goods, the two sides will eventually implement zero tariffs on products with their respective tax items exceeding 95%, of which products with immediate zero tariffs account for about 60% of their respective total tax items. This means that when Nicaraguan beef, shrimp, coffee, cocoa, jam and other products enter the China market, the tariff will gradually drop to zero; When Chinese-made cars, motorcycles, batteries, photovoltaic modules, clothing and textiles enter the Nigerian market, tariffs will also be gradually reduced and cancelled.

　　Ivan acosta, Minister of Finance and Public Credit of Nicaragua, said: "The free trade agreement signed with China is a great opportunity for Nicaragua. We believe that entering the huge market of China will enable us to develop rapidly."

　　In recent years, China’s free trade "circle of friends" has been expanding. Shortly after the signing of China-Nepal FTA, China and Serbia signed a FTA, which is the 22nd FTA signed by China, and Serbia became China’s 29th FTA partner.

　　According to the person in charge of the International Department of the Ministry of Commerce, the China-Serbia FTA focuses on making relevant arrangements for trade in goods, and the two sides will cancel tariffs on 90% of the tax items respectively, and more than 60% of the tax items will be cancelled immediately after the agreement comes into effect, and the final import volume ratio of zero-tariff tax items will reach about 95%. Serbia will include cars, photovoltaic modules, lithium batteries, communication equipment, mechanical equipment, refractories, some agricultural and aquatic products that China pays close attention to, and the tariffs on related products will be gradually reduced from the current 5%-20% to zero; China will include generators, motors, tires, beef, wine, nuts, etc., which are of great concern to Serbia, into zero tariffs, and the tariffs on related products will be gradually reduced from the current 5%-20% to zero.

　　The new signing has been accelerated, and there have been new changes in the implementation. This year, the Regional Comprehensive Economic Partnership Agreement (RCEP) entered its third year of implementation, and 15 RCEP member countries will further reduce tariffs on products such as light industry, automobiles, electronics and petrochemicals according to the commitments of the agreement, and further increase the products that are included in zero tariffs.

　　"Since the implementation of RCEP for two years, the tariff reduction bonus has been released quickly. We have used the preferential policy of origin (accumulation rule) to export to RCEP countries, saving customers more than 5 million yuan in import tariffs, effectively improving the competitiveness of our products in the international market." Han Jie, Minister of Import and Export Customs of Dongyue Group, said.

　　Fan Ruojun, vice president of Guangxi Academy of Social Sciences, said that in the RCEP agreement, tariff reduction is the key content. According to the agreement, the member countries will set tariffs in pairs, gradually reduce the tariffs on more than 90% products to zero in about 10 years, and implement unified rules of origin in the region, stipulating that the value of goods’ origin can be accumulated in member countries, which will continue to promote trade liberalization and facilitation among member countries.

　　Free Trade Zone Free Trade Port-

　　The list of "zero tariffs" continues to expand.

　　Further promote the implementation of more "zero tariff" policies, and the free trade pilot zone and free trade port are at the forefront.

　　On December 29th, 2023, the Ministry of Finance, the Ministry of Commerce and other five departments issued an announcement to pilot relevant import tax policies and measures in the conditional free trade pilot zone and free trade port, which clearly stated that in the special customs supervision area where Hainan Free Trade Port implements the "first-line" liberalization and "second-line" control of import and export management system, goods temporarily allowed by enterprises to enter the pilot area for repair from abroad from the date of implementation of this announcement will be exempted from customs duties, import value-added tax and consumption tax.

　　The relevant person in charge of the Ministry of Commerce said that this measure has changed the "first-line" import duty-free and re-export duty-free of goods currently entering the special customs supervision area of Hainan Free Trade Port into direct duty-free, breaking through the current bonded policy; At the same time, it will be beneficial to the development of related maintenance industries to allow the goods that are no longer shipped out of the country to be sold domestically.

　　Hainan Free Trade Port has made new progress in "zero tariff" in recent years, including temporarily entering the country to repair goods. According to the latest data of Haikou Customs, since the implementation of the "zero tariff" policy for raw materials in Hainan Free Trade Port for three years, the customs has gone through the customs clearance procedures for the import of "zero tariff" raw materials, and the accumulated import value has exceeded 8.3 billion yuan, and the tax reduction has exceeded 1.1 billion yuan, effectively reducing the production and operation costs of enterprises.

　　On December 1, 2020, the "zero tariff" policy for raw materials of Hainan Free Trade Port was implemented. This policy makes it clear that before the whole island is closed, enterprises registered in Hainan Free Trade Port and with independent legal person status are exempted from import duties, import value-added tax and consumption tax when importing raw and auxiliary materials used for production and self-use, production and processing activities in the mode of "two ends out" or service trade in the mode of "two ends out". Enterprises do not need to submit a guarantee, but only need to pay the import duties, import value-added tax and consumption tax of the corresponding raw materials in domestic sales, so as to meet the business needs of Hainan Free Trade Port enterprises and alleviate the financial pressure.

　　Xu Lingling, chief of the Inspection and Evaluation Management Section of Haikou Customs Customs, introduced that the "zero tariff" policy for raw and auxiliary materials implemented positive list management, with the first batch of 169 listed commodities. By the end of 2021, after adjusting and adding 187 new commodities such as fresh durian, vinyl chloride and aero-engine parts, the number of listed commodities reached 356, including agricultural products such as coconut, resource products such as coal, chemicals such as vinyl chloride and parts for aircraft and ship maintenance.

　　After the "zero tariff" policy for raw materials, Hainan Free Trade Port successively implemented the "zero tariff" policy for vehicles and yachts and the "zero tariff" policy for self-use production equipment. On January 5th this year, Hainan released the Measures for the Administration of Zero Tariff Imported Vehicles and Yachts in Hainan Free Trade Port (Trial), and put forward 50 specific measures.

　　The relevant person in charge of the Hainan Provincial Department of Transportation said that the Ministry of Finance, the General Administration of Customs and the State Administration of Taxation recently issued a notice to adjust the "zero tariff" policy for vehicles and yachts in Hainan Free Trade Port, and added 22 items to the "zero tariff" import list. In the face of new situations and changes, the document issued this time will further enhance the adaptability of the "zero tariff" import vehicle and yacht policy.

　　Reporter Qiu Haifeng

Special feature of 1905 film network The three-month summer file officially ended with a total box office of 11.643 billion yuan, and the performance of the actors was remarkable!《Today’s film review"column and M data jointly release the list of 2024 summer file role attention index, let’s open this list together — —

the first place Catch the doll Shen Teng

Second place "Catch the Doll"Ma Li

third place Safe evacuation from the 21st centuryRuoyun Zhang

fourth Silent killingNing Chang

Fifth placeDog array Eddie Peng Yuyan

There are fewer female roles on the list.

From this list, we can also see some phenomena different from the past: two actresses are on the list, namely Mary, who ranks second, and Zhang Junning, who ranks fourth.

Although this figure is a small progress compared with the past market, we still hope that there will be more outstanding female roles. Moreover, the roles played by Mary and Zhang Junning are on the list, which is related to the natural popularity of the actors themselves in social media to some extent, not entirely from the roles themselves.

Therefore, in the eyes of film critic Wu Yanyu, the absence of actresses in the list is a more regrettable part.

Actors get attention ≠ movie box office

In addition, we will find that among the top ten actors, except Shen Teng, who ranks first, the box office of other actors seems to be unsatisfactory. This contrast shows that the phenomenon that traffic can not directly bring box office is particularly obvious in this summer’s file.

In Wu Yanyu’s view, there are two direct examples, one is Yu Shi in Welcome to My Side, and the other is Justin in If I am the one who loves you the most in the world. Their own attention and the popularity of their films before the screening were very high, but even though the performances of the two actors were remarkable, especially Justin’s performance caused a very high discussion in the circle, the popularity of the roles and actors did not translate into the box office.

On the contrary, several senior actors also contributed wonderful performances. Ge You’s appearance on the list, in particular, has once again proved to the film market that the audience has diverse viewing preferences and knows what a good actor is.

Ge You continued to maintain a high standard in The Hedgehog, and also created some highlights. For example, he has been in a mental hospital for a long time, and Karry returned to his hometown and shouted outside. At this time, Ge You looked at the unattainable window in a mental hospital and looked up at the desperate eyes of the sun. I believe that the audience who saw the film will be deeply impressed.

Therefore, a good performance will arouse the audience to take the initiative to evaluate and express, which will naturally raise the heat of this role. Therefore, it can also prove that the audience’s viewing orientation is not just about the flow. This is a very good positive cycle of the film industry, and it is also a manifestation that some bubbles have been punctured in the past few years.

The first place on the list will also "miss"

Shen Teng, who played another classic role in Catch a Doll in the summer file, deserved the first place. However, in the eyes of professional film critics, the popularity of "Catch a Doll" can’t cover up the problems exposed by another film "Renee". Compared with Catch a Doll, the box office and word-of-mouth of Pianli show a great contrast.

Until today, we still see that "Catch the Doll" still has a very strong box office growth, and this momentum must come from the quality of the film itself. On the one hand, Catching Dolls is closely related to social emotions, on the other hand, the social topics it focuses on are closely related to people. In the end, those movie fans who entered the cinema with the combination of Shen Ma and Shen Ma have produced great empathy with the screening of the film and participated in the profound theme narration of the film about society.

However, Shen Teng in "Scaling" tried a role with great contrast, but the effect was not satisfactory. On the one hand, the film itself is of poor quality; on the other hand, Shen Teng didn’t give a performance that made people "sit up and take notice" of him. Just being cool and handsome can’t get Shen Teng out of the comedy "besieged city".

It’s about me, it’s about me.

Combined with the list of the 2024 summer file character attention index produced today, as well as related interpretations and observations, in the role creation of follow-up films, it is necessary for film producers to consider more whether the audience can see the details related to themselves in this role.

For example, in Ma Chenggang in Catch a Doll, a father wants to control his life when educating his children. I believe most fathers can see their own shadow from it.

In Silent Killing, Zhang Junning saw her daughter being bullied, and the moment when a mother was angry and tore off the stickers and tapes for her daughter was also a touching place for many mothers and women.

Roles are not emotional consumables, but intriguing.

In the short videos of several films released this summer, we will find that the audience can feel great emotions and excitement in just a few seconds, and then stimulate the audience’s curiosity to go into the cinema for consumption. The film is not a two-hour secret room to satisfy the audience’s curiosity, but a story about the role, the times and the theme. Then the film is not to create characters for marketing emotions, but to start from the story itself and consider adding a small part that is linked to the current life and current social emotions, so as to create more interesting and intriguing role chapters.

If you do a good job of reconciliation, then the characters in the film will be more vivid and shining.

1905 movie network news On July 8th, several cinemas in London, Birmingham and Sheffield, thousands of kilometers away from China, were waiting patiently for a Chinese film to enter.

What they are waiting for is an anti-epidemic movie that is currently being shown in China. From the perspective of ordinary people, the film truly restores the ordinary and heroic anti-epidemic images of the people of China, and shows the endless "spring power".

"The films are mainly distributed in London and several other famous university towns, and there are more international students in China — — They are very important audiences for Chinese films in the UK. " In an interview with 1905 Film Network, Luo San, the executive deputy general manager of 1905 Film, who is in charge of the overseas distribution of the film in the above areas, revealed that the focus of the British distribution was local China students, and the summer file was the climax of their viewing.

Prior to this, on July 1, the film was released simultaneously in South Africa, Tanzania and Mozambique in Africa. Compared with the relatively mature distribution channels and rich experience in other overseas regions, Africa is more like a "new continent" that needs to be reclaimed urgently for the overseas distribution of domestic films.

March into mainstream commercial cinemas in Africa

When the new film is released, it will be announced first.

In order to spread the film release information to the local potential audience in the shortest time, 1905 Film Industry and local partner BrandChina formed a joint distribution team to carry out effective online and offline linkage publicity.

On the online side, we cooperated with one of the largest cinema brands in South Africa to publish a graphic introduction of the film on all its new media accounts, and rolled out a trailer with the release date.

"We also’ infiltrated’ a small financial program that is frequently used by local people. Just like you log in to the software/applet of a domestic bank, you can easily understand the film information and purchase tickets while using the banking function. " This in-depth cooperation with local online brands makes Luo San very proud. She said, "We have similar publicity activities in the UK, but the cooperation is with offline merchants, who can get small gifts or enjoy shopping discounts with tickets."

Offline, the film’s physical posters and other materials are mainly placed in places where there are many Chinese activities, such as Chinatown and Chinese supermarkets. Combined with the consumption habits of local Chinese, the film screening cinema is located in several shopping centers with the most crowded and prosperous people in the most important cities in South Africa, and light box posters are arranged on the spot in advance.

Canal Walk Cinema, located in the center of Cape Town, South Africa, is one of them.

"Canal Walk is one of the largest shopping malls in Africa, and the Canal Walk Cinema is the largest cinema in Cape Town." Li Xiaoyong, general manager of BrandChina, said that in the past, Chinese films were mostly shown in art theaters. This time, "You are my Spring" can be shown in a mainstream commercial theater such as Canal Walk in the bustling city center, which is the first time.

Bravely break into "non-Hollywood"

Initially, most African countries began to learn from Nigeria’s "Nollywood" model, develop their own film industry, and expand channels through transnational cooperation and video websites. Nowadays, on the basis of the former, a "non-Hollywood" model of pan-African countries has evolved.

From 2010 to 2019, thanks to the demographic dividend and other factors, the potential and vitality of the African film market are gradually being seen by more people. Under this general trend, many foreign films have entered the African film market to look for opportunities, including domestic films such as Japan, South Korea, Japan and South Korea.

According to foreign media reports, in 2017, the number of screens in South Africa reached 782, and the number of screens per million people reached 13.79, ranking first among African countries. From 2010 to 2018, the total domestic box office in South Africa increased from 717.73 million rand (South African currency unit) to 1.3 billion rand, a rapid growth.

Therefore, the African premiere of You Are My Spring was set in South Africa, Tanzania and Mozambique, and other African countries are also arranging follow-up screenings one after another to truly enter Africa.

"Africa is a difficult issue for overseas distribution. With a vast territory and many dialects, the cinema market is also experiencing the impact of streaming media. This time, combining the film with the local situation, we decided to promote the film as an event worthy of attention for Chinese audiences. " Luo San admits that the distribution of domestic films in Africa is full of challenges. Need to adjust measures to local conditions, according to the local and then market conditions, targeted publicity.

Thanks to the upgrading of cinema equipment in South Africa, the feasibility of digital transmission was ensured, and the film was finally released simultaneously with China on July 1. Although it has experienced unspeakable difficulties and challenges, synchronization also means that the impact of domestic piracy and the interference of domestic word-of-mouth can be minimized. In this way, even in Africa, the local audience can see the film for the first time and make their own judgments.

African market expects more China films.

"From my own point of view, when I watched this movie, I felt that the emotional fragments in many movies can be empathetic to audiences in South Africa and around the world. This movie can touch you and me and touch the hearts of ordinary people. I understand that it tells a story about love and the difficulties that everyone in the world has experienced. "

Abdullah Regal, senior manager of cinema in Canal Walk Shopping Center, said that he had seen You Are My Spring. The local people have just experienced the epidemic in the film, so they can feel the same.

On July 7, local time, the film was also shown in the VIP hall of Emperor Palace Cinema in Johannesburg.

"The mainstream audience of the younger generation is still very interested in action movies and kung fu movies with oriental characteristics." Years of local experience have made Li Xiaoyong well aware of the local audience’s viewing preferences. Local cinemas have also expressed their expectation for more China films.

The overseas release of "You are My Spring" has opened up a broader space for further cooperation between China and South Africa in the field of film and cultural industry, and further promoted the common feelings of the Chinese and African people and deepened China-Africa friendship.

After participating in the overseas distribution of The Climbers, "You are My Spring" and other films, the overseas distribution of 1905 films involved about 50 important box office output countries in Asia, Africa, Europe and America.

As the most vital and energetic part of cultural output, domestic films going out to sea are easier to spread and express the essence and details of Chinese excellent culture, and bear the mission of carrying forward China’s 5,000-year civilization. This is also an important part of China’s progress from a big movie country to a powerful movie country.

In the future, we expect more excellent domestic films to sail out of the sea.

(Note: All the pictures except the poster are provided by the interviewee.)

The so-called "writing your own articles" is a summary of Mao Zedong’s writing style, which he explained and explained, that is, he insisted on writing his own speeches, reports, academic articles, and did not need others, including his so-called friends and comrades within his jurisdiction. Mao Zedong once made it clear that it is dangerous for leading cadres to let others write articles on their behalf.

First, "I wrote all my documents by myself"

Mao Zedong’s life of participating in and leading China’s revolution and construction can also be said to be a life of writing articles on ideological and political education. On the banks of the Xiang River in Hunan Province, young Mao Zedong devoted himself to the great revolutionary cause and wrote a masterpiece that shocked the world. Under the kerosene lamp of the octagonal building in Jinggangshan, on the long journey of the Red Army’s Long March, in the caves of the Loess Plateau in northern Shaanxi, and in the office of Zhongnanhai in Beijing, he wrote thousands of great works to mobilize and educate the whole party, the whole army and the people of all ethnic groups throughout the country to fight for China’s revolution and construction. After studying Mao Zedong’s articles for many years, I feel that an important feature of his style of ideological and political education is "writing your own articles". Reading all kinds of versions of Mao Zedong’s biography, what I see most is that various meetings held by the Central Committee discussed and passed a certain document drafted by Mao Zedong, or the meeting decided that Mao Zedong was responsible for drafting the document. The Biography of Mao Zedong published by the Central Literature Publishing House clearly records: "All the works of Mao Xuan were written by Mao Zedong himself. Only a few speeches were edited and finalized by others according to his speech records. " He once said, "I write all my documents by myself. It’s just that when I’m sick, I speak and others write for me. In 1947, I wrote The Current Situation and Our Tasks, which was written by Jiang Qing. I revised it after she wrote it. After I revised it, I asked En Lai and Bi to talk about it, and then I changed it. After you watch it again, broadcast it. It is dangerous to ask others to write articles. At that time, many articles criticizing the Kuomintang, issued by Xinhua News Agency, were written by myself. "(2) According to Jiang Zemin, Mao Zedong’s security staff in Yan ‘an, it was very hard for Mao Zedong to write articles. At that time, there was no electricity in Yan ‘an area. At night, when Mao Zedong wrote an article, he lit a candle, and the candlelight was dim, which affected his eyesight and easily made his eyes tired. When Mao Zedong was tired of writing, he rubbed his sore eyes and continued to write. After a night, his face is often covered with smoke and dust. British writer Dick? In his Mao Zedong, Wilson described in detail: During his three months in Yangjiagou, Yan ‘an from the beginning of 1948 to March, Mao Zedong kept writing books and comprehensively summarized various issues from military strategy to dealing with the middle class in the liberated areas, land reform, economic policy, democracy within the army, administrative efficiency within the party and so on. When my handwriting is numb, I exercise my fingers by holding a stone. ① To study Mao Zedong’s writing style, the author thinks that the first thing to learn is Mao Zedong’s writing style of "writing your own articles".

Second, write in the name of others when necessary.

Mao Zedong not only insists on writing his own articles, but also often writes articles in the name of others when necessary. From his style of writing, we feel that Mao Zedong wrote articles for his career, to solve problems, not for his personal "name".

(a) written in the name of the Central Propaganda Department

From August 22 to 25, 1937, the Central Committee held the Luochuan Conference in northern Shaanxi. At that time, the anti-Japanese war situation was that the government’s anti-Japanese war had begun and won the support of the people, but the people had not participated in it on a large scale. In this context, the Luochuan Conference studied political tasks, military affairs, the relationship between the Kuomintang and the Communist Party, and discussed and adopted the Central Committee’s Decision on the Current Situation and the Party’s Tasks, the Ten-Point Program for Resisting Japan and Saving the Nation, and the Struggle for the Victory of the Anti-Japanese War. Among them, the article Struggle for the Victory of the Anti-Japanese War was a propaganda and agitation outline drafted by Mao Zedong in the name of the Central Propaganda Department.

(2) Written in the name of Xinhua News Agency.

Mao Zedong often wrote articles for or in the name of Xinhua News Agency according to the needs of the situation and tasks, and this habit was maintained until his later years. Among them, the most classic is the military propaganda report he wrote in order to cooperate with major campaigns during the war years, which was timely and powerful. In 1948, the People’s Liberation Army turned into a full-scale counterattack. While directing the three major battles of Liaoshen, Huaihai and Pingjin, Mao Zedong also directed the Xinhua News Agency to publicize and report major battles, which complemented the military operations.

1. A review of World War I.

On October 22, 1948, our army in the Central Plains liberated Zhengzhou. On the same day, Mao Zedong wrote the news of "Our Army Liberated Zhengzhou" for Xinhua News Agency, highlighting the strategic significance of occupying Zhengzhou by explaining the geographical background. It is pointed out that Zhengzhou is the intersection of Pinghan and Longhai railways and has always been a military center. Because of the emergency in Xuzhou, Chiang Kai-shek was forced to transfer three armies stationed in Sun Yuanliang of Zhengzhou Corps to the east. Zhengzhou garrison was weak, and when our troops arrived, they fled desperately. At present, the zhongmou county in the east and west of Zhengzhou and the Yellow River Bridge on the back are cut off by our army, and the fleeing enemy will be quickly annihilated.

2. Many comments on World War I

On November 5, 1948, Mao Zedong wrote the news that our army occupied Nanyang in the Central Plains for Xinhua News Agency, which was a rare masterpiece. Firstly, the article brilliantly uses the historical background to explain the strategic significance of our army’s occupation of Nanyang, which writes: "Nanyang is Guwan County, where Cao Cao and Zhang Xiu fought for the Three Kingdoms. Liu Xiu, the later Emperor Guangwu, fought here, launched a war against Wang Mang Dynasty and founded the post-Han Dynasty. Twenty-eight nights, that is, Liu Xiu’s 28 main cadres, were mostly born in Nanyang. " Then, with a change of pen, we discussed the war situation through our army’s one-year record: "In July last year, since the People’s Liberation Army on the southern line began to make a heroic March behind enemy lines, in more than a year, besides annihilating a large number of regular Kuomintang troops, the greatest achievements were in Dabie Mountain (Hubei and Henan), western Anhui, western Henan, southern Shaanxi, Tongbai, Jianghan and Jianghuai areas (that is, eastern Anhui) ? Bai Chongxi often said,’ I’m not afraid of communist party’s fierceness, but I’m afraid that communist party will take root’, and he was right. We are in all areas of Jianghuai and Hehan, not only trees, but also forests. Not only did it take root, but it also flourished. " (1) Hu Qiaomu later pointed out that when recalling this past, press releases like "Our Army Occupied Nanyang in the Central Plains" were not the second in the news history of ancient and modern China and foreign countries. This article is very elegant, concise and natural, and naturally links the war of liberation with allusions in China’s history.It just reflected that our victorious March at that time was full of sweeping style.

3. Series of comments

Since January 1949, in order to meet the needs of the political and military struggle at that time, Mao Zedong has successively written Comments on War Criminals for Xinhua News Agency (January 5), Why did the divided reactionaries cry for "all-round peace" in vain (February 15), The Kuomintang reactionaries changed from "calling for peace" to calling for war (February 16), and Comments on the Kuomintang’s responsibility for war. "(April 4) and other articles. This series of news comments, like a round of accurate artillery shells, effectively cooperated with our party’s struggle against American imperialism and its lackeys, the Kuomintang reactionaries, and also left a brilliant chapter in the party’s news propaganda history.

(three) written in the name of the spokesman.

In March 1948, Mao Zedong, in the name of the spokesman of the People’s Liberation Army of China, drafted "Comment on the Great Victory in Northwest China and Comment on the New Army-building Movement of the People’s Liberation Army". At that time, the background was that the attack of the Kuomintang army in the northwest battlefield had been shattered, the People’s Liberation Army had turned to attack, and a large number of Kuomintang officers and men either rebelled and surrendered or were captured and incorporated into our army. This commentary written by Mao Zedong emphasizes the great significance of using the methods of "complaining" and "three investigations" to carry out the new army consolidation movement. Complaining is complaining about the sufferings given to the working people by the old society and reactionaries; The third check is to check the class, check the work and check the fighting spirit. The commentary said that after the great victory in the northwest, the liberation army carried out a new army consolidation movement by complaining and three investigations, which made the Kuomintang soldiers who had just joined our army become effective PLA overnight, proving that the People’s Liberation Army will be invincible in the world.

(4) Writing in the name of subordinates

Few leading cadres can do this now. Usually, what you can often hear is that government departments or someone write speeches and articles for leaders. Some government officials even say, "When you write speeches for leaders, leaders can have a clear idea, so don’t change and burn incense." It is rare to hear leaders write articles in the name of subordinates or subordinates. In this respect, Mao Zedong is a model for us to learn. All the articles he writes according to the needs of the situation and tasks are not necessarily in his own name, and whoever publishes them in his own name will be used.

1. Write in the name of Xu Xiangqian.

On October 18th, 1936, Mao Zedong wrote to Hu Zongnan in the name of Xu Xiangqian according to the needs of the military front struggle between the Kuomintang and the Communist Party, saying that the two sides should put aside their differences and mend fences. Xu Xiangqian, a native of Wutai, Shanxi Province, was born in the first phase of Whampoa Military Academy and was then the commander-in-chief of the Fourth Army of the Red Army. Hu Zongnan, a native of Xiaofeng, Zhejiang Province, was born in Huangpu Phase I and was then the commander of the First Kuomintang Army. In a letter written in the name of Xu Xiangqian, Mao Zedong said: "If our teachers, students and classmates can put aside their differences, restore the United front of the Kuomintang and the Communist Party, and fight to the death against Japanese imperialism, the greatest enemy of the Chinese nation, and defend the country and the people, revenge and revenge will be today." The next day, Mao Zedong sent this letter of credit telegram to Zhu De, Zhang Guotao, Xu Xiangqian and Chen Changhao, and asked them to "please send it to Hu Zongnan by special letter, and print multiple copies and send it to all armies." ①

2. Write in the name of Zhu De

In August 1945, when the Japanese invaders announced their surrender but had not yet implemented it, Chiang Kai-shek’s government, with the assistance of American imperialism, attempted to monopolize the right to accept Japan’s surrender, and under the pretext of being surrendered, dispatched troops to attack the liberated areas and actively prepared for civil war. On 13th and 15th, Mao Zedong wrote two telegrams to Chiang Kai-shek in the name of Zhu De, Commander-in-Chief of the 18th Army. The first one exposed Chiang Kai-shek’s counter-revolutionary features and educated people all over the country to be alert to Chiang Kai-shek’s civil war plot. The second telegram further exposed Chiang Kai-shek’s plot to prepare for civil war, and put forward communist party’s six propositions on stopping civil war. These two telegrams played a very important role at that time, and they were also famous in many messages written by Mao Zedong in the name of Zhu De. Later, they were published in Volume 4 of Selected Works of Mao Zedong, entitled "Two Telegrams from the Commander-in-Chief of the Eighteenth Army to Chiang Kai-shek".

3. Write in the name of Zhou Enlai

In 1950, the situation in Pyongyang was tense. Mao Zedong is highly concerned about this, and he thinks deeply and carefully about how to help them, sometimes even taking into account the specific work details. At 1 a.m. on October 15th, Mao Zedong drafted a telegram in the name of Foreign Minister Zhou Enlai to China’s Ambassador to the Democratic People’s Republic of Korea Ni Zhiliang to the Prime Minister of the Democratic People’s Republic of Korea Kim Il Sung. The telegram wrote, "Please send a comrade who is familiar with the road to Anton to meet with Comrade Peng Dehuai and Comrade Kim Il Sung on October 16th. If Ambassador Ni can’t find Comrade Kim Il Sung, please send someone to Anton to meet him. Zhou Enlai on October 15th at 1 am "(1).

4. Write in the name of Peng Dehuai.

After the founding of the People’s Republic of China, Chiang Kai-shek’s Kuomintang clique retreated to Taiwan Province and, with the support of U.S. imperialism, constantly harassed and destroyed the mainland. In August 1958, the Central Military Commission decided to shell Jinmen. In order to oppose the United States’ plot to create "two China" and expand the contradiction between the United States and the Taiwan Province authorities, Mao Zedong sized up the situation and instructed Fujian frontline troops to stop shelling for two days at 8: 00 on October. At 2: 00 a.m. on October 6th, the Letter to Taiwan Province Compatriots drafted by Mao Zedong, the Minister of National Defense Marshal Peng Dehuai, was published. It was announced that the shelling would be stopped for seven days temporarily, and it was suggested that negotiations should be held to implement a peaceful settlement. In the early morning of the 13th, the Fujian frontline radio station broadcasted the order of Marshal Peng Dehuai, the defense minister drafted by Mao Zedong, to the Fujian frontline People’s Liberation Army: "From today, the shelling of Kinmen will be stopped for another two weeks, so as to observe the enemy’s dynamics and make the Kinmen military and civilian compatriots fully replenished, including food and military equipment, so as to help them stick to it." (2) In December 1961, following the instructions of the Central Military Commission on maintaining the stability of the Taiwan Province Strait and not taking the initiative to attack the Kuomintang troops in Kinmen, Fujian frontline troops took the initiative to stop the live-fire shelling. At this point, the shelling of Kinmen was over.

Three, the approval of the message carefully rewritten

Another advantage of Mao Zedong’s style of writing is that he takes his handwritten messages very seriously, and whenever he thinks it is necessary, he personally corrects them and takes pains. On the surface, Mao Zedong is responsible for writing, but in essence, he is responsible for his work and career, which is well worth studying by every leading cadre.

(A) the title changed to attractive

There are many such examples, and the typical one is the revision of the book "Socialist Climax in Rural China" after the founding of New China. This material book, called "Encyclopedia of Cooperative Movement", was edited by Mao Zedong in 1955. It collected 176 materials from all over the country, with more than 900,000 words. Mao Zedong personally wrote two prefaces and notes for 104 articles, which comprehensively reflected his basic guiding ideology for the agricultural cooperative movement and socialist construction, and also reflected the good wishes of the Chinese people for getting rid of poverty quickly and making the country rich and strong. Its publication has had a great impact on China’s socialist revolution and construction. According to Pang Xianzhi’s recollection, Mao Zedong redrafted the titles of most materials in the book "Climax", and changed some long, cumbersome and headache-making titles into vivid, vivid and powerful ones, which highlighted the theme of the article. For example, the original title of the material is "How People’s Livelihood and People’s Strong Agricultural Production Cooperatives in Zhan Zhuangzi Township, Dongxiao District, Tianjin, mobilize women to participate in field production", with a total of 33 words, and Mao Zedong changed it to "Women on the Labor Front", which is simple and clear, and captures the theme, making readers have an impression at a glance. Another example is the original title, "How did Daquan Mountain change from a desolate earth mountain into a tree-lined mountain full of flowers and fruits?" ",Mao Zedong changed to" look! Daquanshan has changed. As can be seen from the preserved manuscripts and various proofs, some titles were revised by Mao Zedong after repeated scrutiny. For example, the material of the Sanlousi Agricultural Production Cooperative,At the time of publication, the topic was "Lessons from the Almost Collapse of Sanlousi Agricultural Production Cooperative in Jieyu County, Shanxi Province". When reading the first proof, he changed it to "Lessons from the Almost Collapse of Sanlousi Agricultural Production Cooperative in Jieyu County", and when reading the second proof, he changed it to "Serious Lessons". ①

(2) The argument is changed to impeccable.

At the beginning of 1939, the friction between the Kuomintang and the Communist Party began to increase. In order to do the work, in the name of Xiao Jinguang, director of the rear office of the Eighth Route Army, the CPC Central Committee sent many cables, statements and notices to Chiang Kai-shek, Hu Zongnan and even the teachers and commissioners of the Kuomintang. These messages issued in the name of Xiao Jinguang were basically reviewed and revised by Mao Zedong himself. Xiao Jinguang recalled that when Mao Zedong revised these messages, he chose his words carefully and took great pains. In revising Xiao Jinguang’s telegram to Chiang Kai-shek and others, Mao Zedong deliberated repeatedly, and finally rewrote it into a passage like this: "At present, the Japanese invaders invaded the west on a large scale with a division, and Liulin and Jundu fell one after another. Our river defense forces are doing their best to give them a beating, and the fighting has been fierce for days. At present, the enemy is formidable, and there are disputes in the rear. It is really inappropriate to have another one. If one side is desperate to kill the enemy in the front, and the other side takes the opportunity to compete for the rear, it will be tantamount to using the blade to fund the enemy, and the future is dangerous. What can we imagine! ？” The subtext in this passage is to warn the die-hards not to continue to collude with the Japanese puppet government. When revising a telegram to Cheng Qian and Zhu Shaoliang, Mao Zedong added the sentence "It is reported that all actions are based on the newly issued plan to deal with the communist problem, but the subordinates only follow this plan", pointing out that the following people create friction, which has roots. In reviewing and correcting the telegram involving the invasion of our border area by Kuomintang troops, Mao Zedong repeatedly added the following words: "The range of 23 counties in the border area was designated by the generalissimo", and our army "did not cross the line of the original 23 counties". What this means is that you, Lao Jiang, personally admitted the 23 counties in the border area.It was decided after discussion at a formal meeting of the Kuomintang. Now you send troops to invade and renege, don’t you just hit yourself in the mouth? Xiao Jinguang later recalled that he had a better idea of how to adhere to the struggle strategy of combining principle with flexibility when he carefully pondered these words modified by Mao Zedong. (1) the author through careful study of these messages modified by Mao Zedong, truly realized that the revision of messages is not a trivial matter, it is not only a matter of writing level, but the embodiment of the overall level of a person, a group or even a party in specific messages. Only when you have the overall situation, ideas, methods and writing skills can you change a sentence or even a word in the message. To learn this style of writing in Mao Zedong, we need to learn from more aspects.

(C) the core points changed to specific and clear

Before the founding of New China in 1949, Zhou Enlai was responsible for drafting the draft Common Program of China People’s Political Consultative Conference. From September 3 to 11, when Mao Zedong revised this draft, he rewrote the following sentence: "When people’s congresses at all levels are not in session, government organs at all levels are people’s governments at all levels. The highest organ of state power is the National People’s Congress. When the National People’s Congress is not in session, the Central People’s Government is the highest organ exercising state power. " (2) The author has carefully studied the three sentences rewritten by Mao Zedong on the Common Program, and feels that each sentence is policy-oriented and will be implemented by the whole party and the whole country in the future. It should be said that all this was carefully thought out by Mao Zedong, and he should be highly responsible and stand the test of practice.

Four, require leaders at all levels to write in person.

Mao Zedong not only wrote his own articles, but also asked other comrades of the Party to write things by themselves, without a secretary. This requirement until his death can be said to be his lifelong requirement. On January 7, 1948, in order to reflect the situation in time, so that the Central Committee may help all localities not to make or make fewer mistakes in advance or afterwards, and strive for a greater victory in the revolutionary war, Mao Zedong stipulated the following reporting system in his article "On the Establishment of a Reporting System": "(1) The secretaries of all central bureaus and sub-bureaus are responsible (do it themselves, don’t do it for them) and make a comprehensive report to the Central Committee and its chairman every two months." "The report is limited to about 1,000 words at a time, and should not exceed 2,000 words at most except in special circumstances", "The content should be concise, the text should be concise, and the problems or disputes should be pointed out", "The date of the comprehensive report is the first half of a month, and the report is sent by telegram". As the chairman of the Party, he personally asked the secretaries of the C.O. bureaus to write reports to the Central Committee "by themselves, without letting the secretaries do it for him", which shows how profound Mao Zedong’s knowledge and understanding of leading cadres’ insistence on "writing their own articles" is.

The opening speeches of the Fifth and Eighth National Congress may be the only exception.

Mao Zedong’s reports and speeches at Party meetings are all made by himself, and he never lets others write for him. According to the biography of Mao Zedong published by Central Literature Publishing House, the opening speech of the Eighth National Congress of the Communist Party of China may be the only exception. On the eve of the opening of the Eighth National Congress of the Communist Party of China in 1956, Mao Zedong wrote two manuscripts to prepare the opening speech of the Eighth National Congress, but they were not finished. Perhaps he was dissatisfied with the manuscript he had written, or perhaps he was too busy at work, and Mao Zedong asked Chen Boda to draft it for him. On September 8th, he wrote to Chen Boda urging the drafting situation, but he was still not satisfied after receiving the manuscript, saying that it was too long and too far away. Then I asked Tian Jiaying to draft it, and said, "Don’t write too long. I’m relieved to have a manuscript in my pocket." There are only a few days before the opening of the conference, which is very urgent. At that time, Tian Jiaying was 34 years old and full of energy. He quickly rushed to write a first draft. Mao Zedong was satisfied with it. After making many important revisions and supplements by himself, Yang Shangkun asked relevant personnel to review and revise it. Later, the manuscript changed better and better, and Mao Zedong was satisfied. At the opening ceremony of the Eighth National Congress, the opening speech of less than 3,000 words was applauded 32 times. This story records that Mao Zedong’s articles are also written by others, but it can be seen that Mao Zedong plays a leading role, and he does not read what others write. At the same time, it also proves from another side that Mao Zedong’s documents are all written by himself or led by him.　

From 0: 00 to 24: 00 on February 19th, 31 provinces (autonomous regions and municipalities directly under the Central Government) and Xinjiang Production and Construction Corps reported 195 newly confirmed cases. Among them, 94 cases were imported from abroad (32 cases in Guangdong, 23 cases in Shanghai, 13 cases in Jiangsu, 6 cases in Beijing, 4 cases in Fujian, 3 cases in Zhejiang, 3 cases in Shandong, 3 cases in Gansu, 2 cases in Guangxi, 2 cases in Sichuan, 1 case in Tianjin, 1 case in Liaoning and 1 case in Hubei), including 3 cases from asymptomatic infected persons to confirmed cases (2 cases in Guangdong and 1 case in Sichuan). 101 local cases (65 cases in Inner Mongolia, including 63 cases in Hohhot and 2 cases in Baotou; 16 cases in Jiangsu, all in Suzhou; 9 cases in Liaoning, all in Huludao City; 8 cases in Guangdong, all in Shenzhen; 3 cases in Yunnan, all in Honghe Hani and Yi Autonomous Prefecture). There were no new deaths. There are no new suspected cases.

On that day, 55 new cases were cured and discharged, and 1641 people were released from close contact with medical observation. The number of severe cases decreased by 1 case compared with the previous day.

There are 829 confirmed cases (including 1 severe case) imported from abroad, and there are no existing suspected cases. A total of 13,399 cases were diagnosed, and 12,570 cases were cured and discharged, with no death.

As of 24: 00 on February 19, according to the reports of 31 provinces (autonomous regions and municipalities directly under the Central Government) and Xinjiang Production and Construction Corps, there are 1622 confirmed cases (including 7 severe cases), 101,449 discharged cases have been cured, 4,636 cases have died, and 107,707 confirmed cases have been reported, with no existing suspected cases. A total of 1,578,614 close contacts were tracked, and 33,991 close contacts were still under medical observation.

31 provinces (autonomous regions and municipalities directly under the Central Government) and Xinjiang Production and Construction Corps reported 39 new cases of asymptomatic infections, including 35 imported cases and 4 local cases (2 cases in Sichuan, all in Luzhou City; 1 case in Inner Mongolia, in Baotou City; 1 case in Hainan, in Chengmai County); Three cases were confirmed on the same day (all imported from abroad); 43 cases were released from medical observation on the same day (42 cases were imported from abroad); There are 687 asymptomatic infected patients under medical observation (582 cases imported from abroad).

A total of 42,144 confirmed cases were reported from Hong Kong, Macao and Taiwan. Among them, there were 22,128 cases in Hong Kong Special Administrative Region (15,963 cases discharged and 276 cases died), 79 cases in Macao Special Administrative Region (79 cases discharged) and 19,937 cases in Taiwan Province (13,742 cases discharged and 852 cases died).